You're really identifying one of the larger problems with the Zuda project. I don't think many seasoned comics pros see Zuda as an opportunity due to the competition as it's currently set up. Largely a function of the month-long promotional war, but also the double-edged sword of competing against "amateurs". If the pro wins, it's due to the pro being a pro and thus expected -- much like a schoolyard bully beating someone much younger and smaller. However, if the pro loses, then the pro is obviously a lesser talent.

As a huge fan of the European traditions in comics, I also went through a period where I thought anything from Belgium (or Italy, or The Netherlands, etc.)was inherently superior, but that was largely a function of really only seeing what I wanted to see. In many ways, comparing Euro comics to North American comics is like comparing feature movies to TV series: they're similar enough to think comparison is easy, but different enough to make any comparison essentially pointless. The same can be said when comparing manga to either European or North American comics as well.

Good (or great) comics are good comics, but what makes a good European comic won't neccesarily make for a good North American comic, however, a well-rounded appreciation for what just makes comics in any format or market worth reading is worth developing.

Hope you got some rest!

~R